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Now compare this ad to an incident in the 2016 campaign where nothing was real: Pizzagate. The circumstances surrounding the crime were accurately described, the visual image was true to life even if sensationalized, and there were numerous news stories attesting to the facts of the case. īut both the program and Willie Horton were real. The ad features a scary photo of Willie Horton and under a photo of Michael Dukakis it says “Allowed Murderers to have Weekend Passes.” The weekend furlough program was created in 1972 under a Republican Governor as the result of a court decision. While out on furlough he kidnapped a young couple, stabbed the man and raped the woman. Willie Horton, a black prisoner convicted of murder, was released on a prison furlough program in Massachusetts. It has gone down in history as one of the more offensive and racially incendiary ads ever. Bush (R) against Governor Michael Dukakis (D): the Willie Horton ad. For instance, let’s take one of the most infamous ads from the 1988 presidential campaign pitting Vice President George H.W. The latter may be offensive but they are based on something that is true as opposed to something that is a wholesale fabrication. To do that, we should distinguish between dirty tricks and negative campaigning, including attack ads and contrast ads. Thus it is fitting to begin working on the problem of defending democracy in the internet age by trying to understand the world of dirty tricks in the pre-internet age. While the medium may be different, the goals are as old as elections themselves. In this world, at this time, can love really join the tribes of man? It was not a question when the Judds asked, “Don’t you think it’s time?” Naomi knew the answer all along.In America today, outrageous lies, doctored videos, and impostors try to influence elections alongside legitimate news and direct campaign communications from would-be leaders. It was so beautiful and artful, he thought it was a Broadway song.
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I once sang that song at a piano bar, and a man in the audience approached me afterward, impressed by the song (probably not by my performance). The lack of animosity between us reminds me of that line in “Love Can Build a Bridge,” perhaps Naomi’s crowning achievement as a songwriter: “Love and only love can join the tribes of man.” When my husband and I moved to Philadelphia and they stayed in New York, we continued our campground reunions, and there was never a camping trip without a Judds singalong around the fire, under the starlit Pennsylvania sky.īoth couples have since divorced, and I have remarried - making sure to impress an appreciation of the Judds upon my new husband - but we all remain close and in touch. Soon we two couples became inseparable, taking camping trips together several times a summer. I had to go to all the way to New York City to find my country people.
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One night a Judds song came on, I forget which one, and one of my new friends began singing along. There, I cultivated a new circle of friends, many of them also from Michigan. My first (and only) sighting of them is forever etched in my mind.Īre gas prices going up again? Yes and here’s why I’m not sure what it was, but for me and for most people, the chemistry between Naomi and Wynonna and the feelings they stirred inside the listener were almost tangible. Then, his mother calls to him: “Jeff, get in the car! It’s time to go.” Soon, though, a gentle strumming and Wynonna’s throaty voice carry to him: “I would whisper love so loudly, every heart could understand that love and only love can join the tribes of man.” Naomi, the mother of the duo and the de facto emcee, says something, but even amplified, her words float away in the hot August night. From this distance, illuminated by a spotlight, they are a blur of sparkling sequins and red hair. They step into view briefly, gliding on high heels to the edge of the grandstand stage. He is angling for a distant, and free, glimpse of Naomi and Wynonna Judd.
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(AP) -Somewhere in Michigan in the early 1990s, a teenage farm boy clings to a chain-link fence at the edge of the county fairgrounds.